02-26-2010, 11:17 AM
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#1
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Administrator
Join Date: May 2004
Posts: 4,074
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Javi, move loop to change aiming tendencys?
Javi,
I have a parallel limb bow that I am working on. It wants to hold low on the spot (indoor bow). I've moved my peep up just a touch and that helped but it's still holding low a bit.
Release is back tension hinge. Cam sync is perfect. Binary Cams.
Now my question is this. If I lower or raise the loop/arrow relationship to the berger hole, will this help some?
Since the bow is holding low, do I slightly lower the arrow/loop combination or raise it.
Thanks for any thoughts or advice
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02-26-2010, 11:27 AM
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#2
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Senior Member
Join Date: Sep 2008
Posts: 1,636
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You can do that, but before you do have someone look at your shoulder/arrow and see if it is parallel when you are aiming at shoulder height.. One of the most common causes of the bow aiming low is anchor height, then nock location/grip pressure. It is rare today to find limbs so imbalanced as to cause this, but it can occur.
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Mike "Javi" Cooper
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02-26-2010, 01:16 PM
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#3
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Administrator
Join Date: May 2004
Posts: 4,074
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Quote:
Originally Posted by JAVI
You can do that, but before you do have someone look at your shoulder/arrow and see if it is parallel when you are aiming at shoulder height.. One of the most common causes of the bow aiming low is anchor height, then nock location/grip pressure. It is rare today to find limbs so imbalanced as to cause this, but it can occur.
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I'll have someone look at it to be sure it's right.
Which direction would I go with it. Up or down?
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02-26-2010, 01:21 PM
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#4
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Senior Member
Join Date: Sep 2008
Posts: 1,636
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Quote:
Originally Posted by Chris
I'll have someone look at it to be sure it's right.
Which direction would I go with it. Up or down?
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Up with the loop....
Down with the anchor...
A little goes a long ways on the nock point...
Generally I like the center of the loop to be directly behind the arrow at full draw, but you can get a push up by having the center of the loop above the arrow at full draw.. the loop can tell you a lot about setup.
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Mike "Javi" Cooper
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02-27-2010, 07:09 AM
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#5
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Senior Member
Join Date: Sep 2008
Posts: 1,636
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So what were the results...
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Mike "Javi" Cooper
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02-27-2010, 08:19 AM
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#6
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Member
Join Date: Feb 2009
Location: Jacktown OK.
Posts: 40
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Quote:
Originally Posted by JAVI
Up with the loop....
Down with the anchor...
A little goes a long ways on the nock point...
Generally I like the center of the loop to be directly behind the arrow at full draw, but you can get a push up by having the center of the loop above the arrow at full draw.. the loop can tell you a lot about setup.
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I happen to shoot my loop under, What are your thoughts about this and its effect?
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02-27-2010, 09:10 AM
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#7
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Senior Member
Join Date: Sep 2008
Posts: 1,636
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Quote:
Originally Posted by MasterG
I happen to shoot my loop under, What are your thoughts about this and its effect?
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It was originally intended to replicate the release rope that we started all this with, the primary advantage is that it puts downward pressure on the arrow shaft which can help hold the arrow on the rest. But with proper nock tuning this is easily accomplished without the built-in nock travel associated with this style. Not that it can’t produce accurate shots, as we all know if the travel is repetitive it isn’t a factor except in tuning for it.
The other disadvantage of this style is that on shorter A2A bows with a longer bow it can actually create such an abrupt angle that the nock is actually displaced from the string during the draw this can also be a factor when shooting a wide jaw release off the string. .
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Mike "Javi" Cooper
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02-27-2010, 10:03 AM
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#8
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Senior Member
Join Date: Sep 2008
Posts: 1,636
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Quote:
Originally Posted by JAVI
The other disadvantage of this style is that on shorter A2A bows with a longer bow it can actually create such an abrupt angle that the nock is actually displaced from the string during the draw this can also be a factor when shooting a wide jaw release off the string. .
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Should read longer draw
Fumble fingers.. and brain not always connected.
__________________
Mike "Javi" Cooper
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02-27-2010, 10:10 AM
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#9
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Member
Join Date: Feb 2009
Location: Jacktown OK.
Posts: 40
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Quote:
Originally Posted by JAVI
It was originally intended to replicate the release rope that we started all this with, the primary advantage is that it puts downward pressure on the arrow shaft which can help hold the arrow on the rest. But with proper nock tuning this is easily accomplished without the built-in nock travel associated with this style. Not that it can’t produce accurate shots, as we all know if the travel is repetitive it isn’t a factor except in tuning for it.
The other disadvantage of this style is that on shorter A2A bows with a longer bow it can actually create such an abrupt angle that the nock is actually displaced from the string during the draw this can also be a factor when shooting a wide jaw release off the string. .
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I have dealt with the issues you mentioned on my shorter bows and I think I might try the other and see how it works for me. I shot fingers for years and some of this stuff is still new to me?
Thanks
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02-27-2010, 11:01 AM
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#10
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Senior Member
Join Date: Sep 2008
Posts: 1,636
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Quote:
Originally Posted by MasterG
I have dealt with the issues you mentioned on my shorter bows and I think I might try the other and see how it works for me. I shot fingers for years and some of this stuff is still new to me?
Thanks
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Rather than rehash a lot of information that is well known, I'll just provide a link to a great article by John Dudley that does a very good job of explaining with photos... http://www.dudleyarchery.info/articles/biissue34.pdf
__________________
Mike "Javi" Cooper
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02-27-2010, 10:56 PM
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#11
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Junior Member
Join Date: Jan 2010
Location: So. East Ma.
Posts: 6
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Where do you anchor your hand at full draw?
I have this same issue after going from a 36 in. Jennings PWC to Diamonds Iceman at 31" ata, I have been holding with the knuckle of my index finger right in front of my earlobe after looking into it will try to drop anchor to below
my jaw, should raise the sight.
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